Melodrama, Masculinity and International Art Cinema East Asian religions

Melodrama, Masculinity and International Art Cinema East Asian religionsThis book offers a detailed study of how some of the most illustrious auteurs in the history of art cinema have made use of melodrama to represent masculine subjectivity on the screen.

when Hitler entered Prague in March 1939

‘Rethinking Cultural Resource Management in Southeast Asia’ explores the challenges facing efforts to protect the cultural assets of Southeast Asia from the ravages of tourism and economic development

It provides a close analysis of exciting new directors

‘The Voice of the People’ presents a series of essays on literary aspects of the pan-European folk revival from the late eighteenth century to the beginning of the twentieth

Martin Shaw seeks to restore the idea of genocide to its central place in thinking about mass atrocities

Opportunities and Prospect focuses on current planning and design priorities and opportunities for the enhancement of future urban landscape contexts

Between 1930 and 1960

Indiana Jones’s trusty hat

predecessor of Intellect’s Applied Theatre Research journal

highlighting the intersection of theology

The first comprehensive examination of Leonora Carrington (1917-2011)

questions of race