Waltz for Debby (Coloured Viny LP) 60s 70s Psych Prog RockRecorded live at the Village Vanguard on June 25, 1961, the same night as Sunday At The Village Vanguard, this set rounded out what became known as an early "full" portrait of Bill Evans. Waltz For Debby captures one of the most important and well integrated piano trios in the history of jazz, working on a superbly inspired night. It is clear, listening to this record, that bassist Scott Lafaro had a very special rapport with Evans, and drummer Paul
and a vast array of percussion instruments (including found objects)
party on the block rap records were the first to try and create the sounds heard in community centres
the incredible explosion of English-speaking bands focused the energies of a whole generation of Western youth - rebels ready to pick up a guitar and use it like a weapon
The Australian 7-piece have made a name for themselves with a steady stream of new material since their inception 2010
He darts in and out of the changes and sometimes hovers above them
The set begins with one of the pre-eminent "Swinging Medium Blues" pieces in jazz history: the title track with its leveraged fours and eights shoved smoothly up against the walking bass of Chambers and the backbeat shuffle of Jones
and drummer Bernard Purdie (James Brown
Lots of guitar
Originally released on Vertigo in 1973
" continues Ben
an immediately arresting song that showcases the bands penchant for blending classic post-punk elements
saxophonist Claude Bartee
